Mandingueira Holiday Giveaway Winners: Congratulations!

3 01 2009

Blue Snake Books

First off, thank you to everyone who participated in this contest!  It was genuinely nice to hear from all of you, and whether or not you participated this time, I hope all of you are further encouraged to comment for whatever reasons in the future. Now, without further ado…

The winner of the Mandingueira on Facebook exclusive draw is Isabella Chan.  Congratulations, Isabella! Please send me your mailing address ASAP so I may send you your copy of Capoeira Beyond Brazil.

As for the general draw…okay, well, so here’s the deal.  I thought I’d do something REALLY COOL, and actually filmed the draw (I used my cabaça as the receptacle) so you guys could watch and all be in on the process.  Unfortunately, everything but my camera refused to cooperate (i.e. WordPress, QuickTime, Youtube, and this other file management site I used to rely on), so I wasn’t able to upload the video. And believe me, I tried!  There was background capoeira music and a little “Congratulations!” sign at the end and everything!  So in (sad) lieu, please imagine the berimbau equivalent of a drum roll as you read the following:

UPDATE: IF ALL ELSE FAILS, TURN TO FACEBOOK!

Please click here to view the giveaway draw 😀

The winners are…

  • earthsoulmind[at]hotmail[dot]com

  • skymandr

  • ebcpirulito[at]gmail[dot]com

  • Inglijh

Congratulations to all the winners!  Please send me your mailing address BEFORE MONDAY so I can post your copies of Capoeira Beyond Brazil out to you before I leave for Montreal (again, my flight is on Wednesday and I would seriously appreciate not having to include 5 copies of the same book within my 23kg baggage limit!). If for whatever reason you don’t want or can’t have the book, also let me know ASAP, please, so I can draw a new winner. Otherwise, I hope you enjoy Capoeira Beyond Brazil, and to reiterate, I will be writing a review of it within the upcoming weeks.

Thank you so much again to everyone for participating. If you didn’t win this time, look on the bright side: the universe now owes you some other form of good karma. 🙂  Finally, thank you to Blue Snake Books for sponsoring this contest.

I look forward to hearing more from and meeting more of you in 2009!

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Mandingueira’s Holiday Giveaway (Capoeira Beyond Brazil): Win 1 of 5 Free Capoeira Books!

25 12 2008

Yes, you read that right—happy holidays, everyone!  With much thanks to the sponsorship of Blue Snake Books, Mandingueira is offering YOU, my loyal, lovely, and lethally cool readers, a chance to win 1 of 5 free copies of the latest capoeira book on the market: Capoeira Beyond Brazil: From a Slave Tradition to an International Way of Life, by Aniefre Essien.

I’ve actually had my eye on this book for a while, since I discovered its planned October release way back in February, so I’m extremely excited about this!  I feel like it speaks to an area nearly every capoeirista outside of Brazil would be deeply interested in: the globalization of capoeira. Of course, this is me still judging by the cover, but it won’t be for much longer!  In addition to the five copies for you guys, Blue Snake sent me a review copy for myself, so I will be reading and posting a review of Capoeira Beyond Brazil in the upcoming weeks. In the meantime, click here for the book’s official synopsis.

This giveaway was originally to be in honour of Mandingueira’s one-year anniversary (it was the second surprise I mentioned!), but I didn’t want to announce it until I had the books in my hand, and due to a warehouse backlog they arrived only yesterday—just in time for Christmas!  Either way though, the purpose of this remains the same: to show my appreciation for all of you, and give something back for everything you’ve added to this blog. Since I am still(!) working on the Mandingueira One-Year Retrospect magazine, these are further tokens of my thanks and appreciation for you, and I hope you will enjoy the books!

Now, I’m sure I’ve held you long enough in suspense…let’s get down to the important details.

MANDINGUEIRA’S HOLIDAY GIVEAWAY:
OFFICIAL CONTEST RULES

1. Winners will be picked by random draw.

2. The FIRST way to enter the draw is to post a comment of substance on any post on Mandingueira. This means adding to the discussion, raising new ideas, contributing information, constructive criticism, constructive praise, etc. You can also simply introduce yourself and tell us a bit about your capoeirista/Mandingueira reader/feminist/activist/etc. background, whichever are applicable, if any. (Calling all lurkers, this is for you! 🙂 ) Trite/easy comments such as “Great post!” or “Cool contest!” will be appreciated but not counted, and trolls (NOT to be confused with respectful, reasoned disagreement) will be disqualified. If you post more than one comment (including replies to other people’s comments), I will enter your name once for each comment, up to a maximum of three (3) comments.

3. The SECOND way to enter the draw is to subscribe to Mandingueira, by RSS feed or by email. If you subscribe by email, I will see your email address and be able to count you. If you subscribe by RSS feed, you will have to notify me after you do, through email or dropping a line under this post. (Telling me that you subscribed does not alone count as a comment, unless it is part of a comment that is eligible otherwise.) Obviously, this is honours system-based. Please respect that and refrain from scamming the contest.

4. You may subscribe AND leave comments, for a maximum of 4 entries in the draw (up to 3 comments + 1 subscription).

5. One book will be reserved for an exclusive draw for fans of Mandingueira on Facebook. To be eligible for the exclusive draw, you must be already a fan of the page or join by the end of December 26, 2008 (my time). Note: Those eligible for the exclusive draw may also enter in the general draw, in the ways described above.

6. This contest ends at 11:59pm on January 1, 2009 (my time).

7. At that point I will collect names from all comments and subscriptions from now until then, for both the general draw and exclusive draw. (All comments are recorded in one place on my WordPress Dashboard, which is how I can still keep track if they’re on different posts all over the blog.) Random names will be drawn and the winners notified. There will be two draws overall: one general draw for four books, and the exclusive Facebook page draw for one book. Each winner will receive 1 book, even if your name is drawn more than once.

7. On entering the draw, you must give a legitimate email address so I can contact you if you win, as well as be willing to give me a legitimate mailing address upon winning so that I can send the book to you. I must send out all the prizes by January 7th (because I have a flight that day for a new job in another city), so if a winner does not respond with their address before then, they either forfeit the prize or may not receive it for another 4-8 months.

8. Your entering the contest signifies that you understand and accept the Mandingueira Holiday Giveaway Official Contest Rules.

9. Help spread the word! Your capoeira friends thank you, and so do I. 😀

I hope all of that was clear!  Please feel free to contact me if you have any questions about the giveaway.  Happy Holidays!





Obrigada Mestre Acordeon (Or: Meeting a Famous Mestre)

31 10 2008

So apparently, a god or goddess in the universe discovered I saved a busload of children, rid Europe of a plague, gave up a multimillion editorial position to feed the poor, and singlehandedly solved the affordable housing crisis in a past life, because recently, I was given a fluke opportunity at a capoeira workshop to meet Mestre Acordeon.

It was like Christmas, only replace the sacks of toys with irregularly shaped parcels of capoeira wisdom.

Okay, I’ll be honest with you.  When I first heard the news he would be there, the capoeirista part of me got about a nanosecond of reaction in before the journalist part of me hijacked the car and took it way beyond overdrive: “INTERVIEW!!!  YOUR BLOG!!!  YOUR READERS!!! THE SCOOP!!!!!

(So as not to lead you guys on, I’ll say right now that I didn’t actually get to do an interview with Mestre Acordeon, after all.  I know.  I’m sorry.  My heart broke a little bit, too.)

What was it like, seeing and hearing a famous—legendary—capoeira mestre in person for the first time? Well, I think that was the first and only time I’ve been “starstruck” by a capoeira mestre. So much so that I actually let the entire first of only two days go by before even just going up to introduce myself! Much of it was because Mestre Acordeon has broken ground (to put it mildly) in all THREE of this blog’s (so by extension, in a way, my) raison d’être: capoeira, gender equality, AND writing/publishing!! For me, meeting Mestre Acordeon was like meeting three stars/role models in one.

It was kind of surreal, actually.  He told us an anecdote I recognized from one of his articles—and it was the story, told to us firsthand.  When he sang—it was the CD track/voice, live in concert. And the capoeira?  Well, yes, it was our profesor disarmed and down in three seconds flat.

Slight correction to something above: although I didn’t get to do a bona fide interview with Mestre Acordeon, I did get to speak with him for maybe five minutes, which was about four minutes and thirty seconds longer than I would have ever expected. (See?  I do love you guys. :P)

There was one question particularly burning in my mind, and so on the last day, at the end no less (as people were pulling on their jackets and shoes and our teachers were kicking everyone out to avoid overtime rental fees), I slipped myself into a small group sitting on the ground in front of M. Acordeon, storytime-style, listened to the end of a story he was telling, waited out the usual “Look!  It’s Mestre and me!” photoshoot, then walked up and introduced myself, and asked my question.

Basically, I asked him about the whole “tradition vs. ‘modern-day’ values” issue in capoeira. I described some of the ideas we’d been struggling with here, such as changing capoeira and cultural appropriation, and asked him, essentially, how a capoeirista today can reconcile “modern” values like gender equality without losing the importance of “tradition” in capoeira?  I’ve run into this question several times since starting this blog (ex. here and here), and I figured, who better to answer it than a capoeira mestre of M. Acordeon’s reputation, experience, and standing?

A lot of what he said in response was, I think, more or less what you’d expect to hear. In the end, what it all came down to was this quote that stuck the most in my mind, which he’d also said in a talk earlier to everyone at the workshop:

Change is important, and capoeira has to change, because if something doesn’t change, then it grows stale, and dies.

(I was going to get into a discussion of that quote here, but I think it would go a little beyond the confines of this post, so I’ll save it for one of its own!)

In the end, I decided against asking Mestre Acordeon for an interview even if there had been more time, because while he was talking, it just seemed…like it wouldn’t really be right.  Not morally or anything like that, but just in the sense that he took time out of what’s probably an extremely busy life just to come to the workshop, and everybody wants to talk to him when he’s not already surrounded by the other mestres and teachers, and so it didn’t seem quite fair nor courteous to ask for even more of his time, on such short notice, to ask straight-out for answers to potentially heavy questions so I could publish what he said online.

However, one can always hope…!  Thus, just for interest’s (and temptation’s) sake, these are the other questions I had prepared to ask Mestre Acordeon in the event that a god or goddess in the universe had found out that in addition to all those things I did in my past life, I would one day in a future life save the universe from imploding into a giant black hole of DOOM (Feel free to add in Comments any burning questions of your own 😉 ):

Mestra Suelly was the first woman to become a mestra outside of Brazil.  As the mestre who graduated her, what reactions or controversy, if any, did you encounter from this?

What do you think about all-women rodas, or events?  Do you believe they are truly beneficial, or help to perpetuate sexist gender stereotypes in capoeira?  Do you think gender equality is a shrinking issue as capoeira spreads in North America and Europe, or if not, what needs to be done to address it?

In one of your articles, you mentioned the “extraordinary political potential” of capoeira.  I think that is one of the most exciting things to think about in capoeira, but how exactly would someone fully explore or even start to draw upon, I suppose, this potential?  What do people actually mean by saying “capoeira is a tool of civilization”, and how do you see this happening today, in real life…or is this something we have to wait for that will come in the future?

What do you think it is about capoeira that not only draws so many different varieties of people, but draws them all with the same incredible amount of strength and attraction to the art?

***





Capoeira Book Reviews

19 04 2008

To follow up my Capoeira Addict’s Ultimate Guide to Capoeira Books (and in response to Xixarro’s feedback), I’m going to give brief reviews of all the capoeira books I’ve read.  (So keep this page marked, as I will be adding reviews as I read more capoeira books, as well!)  To be honest, I’ve never felt comfortable writing reviews on anything, because how do I know whether it’s good or not, and who am I to tell other people, especially when reviews are usually done on such subjective works such as music, or literature?  So just consider this a disclaimer that everything here is (obviously) my own personal opinion!

Capoeira: Roots of the Dance-Fight-Game (Nestor Capoeira)

This was the very first capoeira book I read, and I loved it…at least the first time around.  As I’ve mentioned in a (much) earlier post, some parts of it felt like Nestor Capoeira had read my mind, especially when he talked about the beginner’s experience when first learning capoeira.  This was also my first major introduction to capoeira history, capoeira myths and legends, and all the complexities and variations that they involved.  It was engaging, interesting, and informative, and I thought it was a really good pick to have read as my very first capoeira book.  Nestor Capoeira also uses a lot of long passages from others’ works (so much that I almost put it as a negative point), so you get some exposure to other well-known capoeira scholars as well.

There were just a couple things that bugged me about the book, just a little at first and then became more pronounced as I read it more and the novelty of it being a capoeira book wore off.  The first was that in certain turns of phrases or sentences, I thought Nestor Capoeira seemed to be pushing an ”agenda” or ”ideology” a bit too much to make the whole read completely enjoyable.  I know I may be on thin ice saying this considering my own blog is angled, but it was just something that kept coming up through the book.

The second thing I wasn’t crazy about, and this became more obvious when I started reading A Street-Smart Song, was the style of Nestor Capoeira’s writing when describing certain concepts.  I don’t know if I or he wasn’t sure who the book’s target audience was, or if he was just trying really, really hard to be completely accessible to people with all education levels, but at several points I felt that the writing was almost…talking down to me, or gimmick-ifying (for lack of a better term) normal but just not often mentioned things.  The one example off the top of my head is from Street-Smart Song (which I won’t review now because I’ve only gotten a few pages in), when he describes solar flares, ending the description with something to the effect of ”These are what are known as ‘solar flares”’ (with the quotation marks).  Maybe it’s just my own neurosis on this one, but I didn’t really like the way outside examples were introduced like the water cycle is introduced to kindergarteners. 

Overall though, still a good read!

Capoeira: A Brazilian Art Form (Bira Almeida / Mestre Acordeon)

Now this one, I really liked.  I don’t actually quite know why I like it so much, but it seemed like the perfect all-around introduction to general capoeira history/philosophy/mythology to me, and without the bits of ”obvious agenda-soaked text” and over-simplified writing that irked me in Roots.  The writing overall is much more polished, and the entire book is pretty well written.  I liked pretty much everything in this book, but highlights included: a poetic description of the different stages of being a capoeirista, from beginner to mestre; a chapter made almost entirely of song lyrics and English translations (I liked to cover up the translations and test how well I could get the gist of the Portuguese first, and pick up some vocabulary along the way); and a really beautiful capoeira parable, an excerpt of which you can read here.

Learning Capoeira: Lessons in Cunning from an Afro-Brazilian Art (Greg Downey)

This book was so cool!!  Purely because I’m a nerd and really enjoyed seeing the words ”capoeira” and ”ginga” alongside other words like ”ethnographical” and ”Foucault”.  XD  Seriously speaking though, reading this book was a really good way to find out more about capoeira angola, since the author’s research consisted mainly of training (to a fairly high level) with GCAP.  This book is an anthropological study of capoeira and how it changes us, physiologically as well as in all the other ways we (will) know and love so well.  It talks about historical as well as modern-day capoeira, and brings in contemporary issues such as racism in Brazil, and capoeira’s role in it all.  Learning Capoeira was the first academic capoeira book I read, and I would definitely recommend it to anyone!

p.s. Thank you so much to everyone who commented on my last post!  I haven’t had time to respond to them yet (because I want to do it properly), but I will as soon as possible.  Just so you know, I’ve actually been travelling since the 16th and will be doing so until the 28th, but I will try my best to keep blogging as normal all the while!





The Capoeira Addict’s Ultimate Guide to Capoeira Books

5 04 2008

Looking for a good book about capoeira?  Look no further!  This book list is a compilation of every philosophical / historical / theoretical / academic / anecdotal (English) capoeira book in publication right now. I haven’t included “practical guides” to learning capoeira because I still don’t know how much use people would get out of them in general (tiny bit of elaboration here or here). I’ve included links to more information (reviews, publication details, page previews) at the bottom of each entry, and will continue adding to this list as new capoeira books come out, and may nevertheless expand it to include the practical capoeira books as well.

Please note that unless otherwise stated, all “Descriptions” are from the books/book publishers themselves.

Capoeira: A Brazilian Art Form [Recommended]
by Bira Almeida / Mestre Acordeon

Description:

A Brazilian Art FormCapoeira weaves fighting, music, dance, prayer, and ritual into an urgent strategy by which people live, struggle, celebrate, and survive together. In this book Bira Almeida—or Mestre Acordeon as he is respectfully called in capoeira circles—documents his own tradition with both the panoramic eye of the historian and the passionate heart of the capoeirista. He transports the reader from the damn of New World history in Brazil to the streets of twentieth-century Bahia (the spiritual home of capoeira) to the giant urban centers of North America (where capoeira is now spreading in new lineages from the old masters).

This book is valuable for anyone interested in ethnocultural traditions, martial arts, and music, as well as for those who want to listen to the words of an actual mestre dedicated to preserving his Afro-Brazilian legacy.

More information, reviews, and preview on Amazon

Learning Capoeira: Lessons in Cunning from an
Afro-Brazilian Art
[Recommended]
by Greg Downey

Description:

Learning Capoeira, by Greg DowneyLearning Capoeira: Lessons in Cunning from an Afro-Brazilian Art is a provocative look at capoeira, a demanding acrobatic art that combines dance, ritual, music, and fighting style. First created by slaves, freemen, and gang members, capoeira is a study in contrasts that integrates African-descended rhythms and flowing dance steps with hard lessons from the street. According to veteran teachers, capoeira will transform novices, instilling in them a sense of malicia, or “cunning,” and changing how they walk, hear, and interact.

Learning Capoeira is an ethnographic study based on author Greg Downey’s extensive research about capoeira and more than ten years of apprenticeship. It looks at lessons from traditional capoeira teachers in Salvador, Brazil, capturing the spoken and unspoken ways in which they pass on the art to future generations. Downey explores how bodily training can affect players’ perceptions and social interactions, both within the circular roda, the “ring” where the game takes place, as well as outside it, in their daily lives. He brings together an experience-centered, phenomenological analysis of the art with recent discoveries in psychology and the neurosciences about the effects of physical education on perception. The text is enhanced by more than twenty photos of capoeira sessions, many taken by veteran teacher, Mestre Cobra Mansa.

Learning Capoeira breaks from many contemporary trends in cultural studies of all sorts, looking at practice, education, music, nonverbal communication, perception, and interaction. It will be of interest to students of African Diaspora culture, performance, sport, and anthropology. For anyone who has wondered how physical training affects our perceptions, this close study of capoeira will open new avenues for understanding how culture shapes the ways we carry ourselves and see the world.

More information, reviews, and preview on Amazon

Capoeira: The History of an Afro-Brazilian Martial Art
by Matthias Röhrig Assunção

Description (from The American Historical Review):

The History of an Afro-Brazilian Martial ArtThis is by a wide margin the best book yet published on the history of capoeira, in any language. Matthias Röhrig Assunção has done the archival digging that most previous authors have been unable or unwilling to undertake, and has avoided the essentialism and willful invention of tradition that pervade the most popular accounts. Instead, he makes the competing and overlapping accounts of capoeira’s origins part of his subject, emerging with a rich account not only of the game itself but of the ways in which it has been understood and its place in larger debates on the meanings of Afro-Brazilian culture.

He also incorporates and builds on exciting recent Brazilian scholarship on capoeira and nineteenth-century social history more generally, and he connects these inquiries to capoeira’s globalization over the past two decades. The result, as they say in capoeira, is a compelling and authoritative volta do mundo—a trip around the capoeira ring that is at the same time a trip around the world.

More information, reviews, and preview on Amazon

The Little Capoeira Book
by Nestor Capoeira

Description:

The Little Capoeira BookThe book starts off by giving an in-depth history of the Brazilian art of Capoeira. The last half of the book deals with the movements and techniques of Capoeira, including: offensive and defensive movements, basic kicks, takedowns, advanced kicks and movements, head butts, hand strikes, and knee and elbow strikes. Each of the techniques and maneuvers are vividly depicted by drawings that are very easy to understand and learn from. There is also an explanation of both Angolan and Regional versions of most of the techniques.

This book gives a very good description of the history, game, and philosophy of Capoeira. The book contains diagrams showing various positions and movements and discusses attacking and defending strategies and the critical aspects of feinting. Over 100 photographs and illustrations are included.

More information, reviews, and preview on Amazon

The Little Capoeira Book, Second Edition
by Nestor Capoeira

Description:

The Little Capoeira Book, Second EditionNestor Capoeira, a long-time teacher of capoeira and noted mestre (master), begins this revised edition of his bestseller with an in-depth history of the Brazilian art, giving the most popular theories for the origins and purposes of this movement that combines the grace of dance with lethal self-defense techniques in a unique game-song structure. He discusses some of the most famous capoeristas and their influence on the art. In addition, he describes how the two major branches of capoeira (Angola and Regional) came about and the differences between them.

The Little Capoeira Book’s clear descriptions of the game, or jogo, explain the actual application of capoeira, vaguely similar to sparring but very different in purpose and style. The music of capoeira, which is played during all jogo, is also examined, along with its main instrument, the berimbau.

The author includes a how-to guide with photographs showing basic moves for beginners, with offensive and defensive applications for simple kicks, takedowns, advanced kicks and movements, head butts, hand strikes, and knee and elbow strikes. Each technique is vividly depicted with drawings that are easy to understand and learn from, and Nestor Capoeira includes an explanation of both Angola and Regional versions.

More information, reviews, and preview on Amazon

Capoeira: Roots of the Dance-Fight-Game [Recommended]
by Nestor Capoeira

Description:

Roots of the Dance-Fight-GameCapoeira is simultaneously a dance, a fight, and a game. Created by the Africans brought to Brazil as slaves beginning in 1500, capoeira was forbidden by law but survived underground. When open practice was allowed in the 1930s it soon became very popular. Capoeira came to America around 1975, and has become widely recognized by dancers and martial artists. The author discusses capoeira’s evolution from Brazilian street play into a way of life. The philosophy of capoeira, and the practical and spiritual benefits of that philosophy, are also discussed. Instructions and exercises in intermediate and advanced skills take up where the author’s previous book left off. The book includes 100 black-and-white photos and illustrations.

More information, reviews, and preview on Amazon

A Street-Smart Song: Capoeira Philosophy and Inner Life
by Nestor Capoeira

Description:

A Street-Smart SongA Street-Smart Song delves into the boundless philosophical depths of capoeira, the fascinating synthesis of Brazilian dance and self-defense. Drawing from a wide range of sources—the streets of Salvador and Rio de Janeiro, the teachings of the old masters Pastinha, Bimba, and Leopoldina, and the brutal economic realities inflicted on the poorest of Brazil—Nestor Capoeira paints an indelible portrait of this living art, its spiritual heritage, and its vital place in a world hypnotized by media and crushed by poverty.

The traditional poems and songs of capoeira are here, along with the author’s lively discussions of everything from the space age and television’s impact on third world culture to Candomble and capoeira’s life-changing lessons. Rounding out this absorbing cultural survey are historical photos, sketches of weapons and instruments, and fully illustrated fighting movements, taught step by step.

More information, reviews, and preview on Amazon

Capoeira: The Jogo de Angola from Luanda to Cyberspace
by Gerard Taylor

Description:

The Jogo de Angola from Luanda to CyberspaceThe first in a two-volume series on capoeira, Volume One traces the origins of the popular martial art and dance form from the beginning of the slave trade in the Americas in the 1500s to the early years of the Brazilian Republic in the 20th century. Focusing on the people and events that shaped the art form in Brazil prior to the “academy” period of the last century, Capoeira: The Jogo de Angola from Luanda to Cyberspace explores the subject from many vantage points.

Author Gerard Taylor explains how the fighting techniques of African forces laid the groundwork for capoeira movements. He shows how work songs, religion, and various percussive traditions and instruments shaped capoeira music over the years. Drawing on archival sources and historical accounts, the book paints a vivid picture of capoeira’s dramatic evolution from the sugar plantations of Pernambuco through the brutal backstreets of Rio and the Minas Gerais goldmines on its way to becoming a world-class practice.

More information, reviews, and preview on Amazon

Capoeira: The Jogo de Angola from Luanda to Cyberspace, Volume Two
by Gerard Taylor

Description:

The Jogo de Angola from Luanda to Cyberspace, Volume TwoCapoeira evolved as a Brazilian martial art developed initially by that country’s African slaves. Marked by deft, deceptive movements played on the ground or completely inverted, the form started gaining worldwide popularity in the early 20th century, when this second volume of Gerard Taylor’s wide-ranging history begins.

The book opens with a study of the capoeira “Bamba,” Mestre Bimba, who became renowned as a fighting champion in Bahia and opened the first legal academy during the dictatorship of Getulio Vargas. Taylor investigates the dramatic development of the schism that resulted in the competing styles of Regional and Angola. Moving into contemporary capoeira, the author provides an overview of new trends, such as international encounters, long distance “mail-order mestres,” mass membership capoeira associations, cyber-capoeira, and grading systems.

The book features the wisdom of a number of important mestres recounting their experiences teaching capoeira professionally around the world. In frank, inspiring interviews they talk about the highs and lows of the capoeira life, and how its lessons can enrich people’s lives.

Photographs, illustrations, and an extensive glossary of terms illuminate the complex history of this fighting art.

More information at Amazon

Capoeira Beyond Brazil
by Aniefre Essien

Note: This book doesn’t come out until October 2008!

Description:

Capoeira Beyond BrazilUntil recently, Brazilians dominated the market on capoeira books, yet the form has spread across the globe over the last four decades. This expansion from the favellas (slums) to the world stage has introduced a host of new capoeira practitioners with varied lineages, techniques, and traditions. In Capoeira Beyond Brazil, Aniefre Essien brings an international, political perspective to capoeira, speaking to both the novice and aficionado, as well as to historians, martial artists, social justice organizers, and youth development professionals.

Essien shows capoeira in its complete historical context, providing not only technical instruction but a critical history that highlights the political milestones of the form. Author Essien doesn’t shy away from the realities of the capoeira community, directly illustrating principles that should be embraced, as well as established norms in practice and instruction worth questioning.

Capoeira Beyond Brazil expands the meaning of capoeira with a sociocultural consideration of the effects internalization has had on the form. Showcasing Essien’s own experiences using capoeira training at-risk youth, the book articulates the form’s empowering aspects with strategies for using martial arts to foster individual self-reliance and confidence, as well as a commitment to community development.

More information at Amazon

Ring of Liberation: Deceptive Discourse in Brazilian Capoeira
by J. Lowell Lewis

Description:

Ring of LiberationBased on eighteen months of intensive participant-observation, Ring of Liberation offers both an in-depth description of capoeira—a complex Afro-Brazilian martial art that combines feats of great strength and athleticism with music and poetry—and a pioneering synthetic approach to the analysis of complex cultural performance.

Capoeira originated in early slave culture and is practiced widely today by urban Brazilians and others. At once game, sport, mock combat, and ritualized performance, it involves two players who dance and “battle” within a ring of musicians and singers. Stunning physical performances combine with music and poetry in a form as expressive in movement as it is in word.

J. Lowell Lewis explores the convergence of form and content in capoeira. The many components and characteristics of this elaborate black art form—for example, competing genre frameworks and the necessary fusion of multiple modes of expression—demand, Lewis feels, to be given “body” as well as “voice.” In response, he uses Peircean semiotics and recent work in discourse and performance theory to map the connections between physical, musical, and linguistic play in capoeira and to reflect on the general relations between semiotic systems and the creation and recording of cultural meaning.

More information, reviews, and preview on Amazon

The Hidden History of Capoeira: A Collision of Cultures in the Brazilian Battle Dance
by Maya Talmon-Chvaicer

The Hidden History of CapoeiraCapoeira, a Brazilian battle dance and national sport, has become popular all over the world. First brought to Brazil by African slaves and first documented in the late eighteenth century, capoeira has undergone many transformations as it has diffused throughout Brazilian society and beyond, taking on a multiplicity of meanings for those who participate in it and for the societies in which it is practiced. In this book, Maya Talmon-Chvaicer combines cultural history with anthropological research to offer an in-depth study of the development and meaning of capoeira, starting with the African cultures in which it originated and continuing up to the present day.

Using a wealth of primary sources, Talmon-Chvaicer analyzes the outlooks on life, symbols, and rituals of the three major cultures that inspired capoeira—the Congolese (the historic area known today as Congo-Angola), the Yoruban, and the Catholic Portuguese cultures. As she traces the evolution of capoeira through successive historical eras, Talmon-Chvaicer maintains a dual perspective, depicting capoeira as it was experienced, observed, and understood by both Europeans and Africans, as well as by their descendants. This dual perspective uncovers many covert aspects of capoeira that have been repressed by the dominant Brazilian culture.

This rich study reclaims the African origins and meanings of capoeira, while also acknowledging the many ways in which Catholic-Christian culture has contributed to it. The book will be fascinating reading not only for scholars but also for capoeira participants who may not know the deeper spiritual meanings of the customs, amulets, and rituals of this jogo da vida, “game of life.”

More information at Amazon
Preview at University of Texas Press

Capoeira and Condomblé: Conformity and Resistance through Afro-Brazilian Experience
by Floyd Merrell

Note: This book got a couple of pretty bad reviews on Amazon, in addition to good ones. I haven’t read it before so I can’t really comment, but you might want to check them out first if you’re considering getting this book.

Description:

Capoeira and CandombléCapoeira is a unique music-dance-sport-play activity created by African slaves in Brazil, and Candomblé is a hybrid religion combining Catholic and African beliefs and practices. The two are closely interconnected. Capoeira and Candomblé have for centuries made up a coherent form of Brazilian life, despite having been suppressed by the dominant cultures. Now they are not only widely recognized in Brazil, but have become popular in North America and Europe as a new blend of sports, dance, and holistic approach to many facets of life.

For Western audiences, Capoeira performance and Candomblé services are fun to watch and participate in, but difficult to understand. Both have apparently familiar elements, but this seeming conformity with the dominant cultures was for 400 years a strategy of resistance by Brazilian slaves. The author offers his own reflections about Capoeira and Candomblé, combining personal experiences with anecdotes, historical facts, and research as well as religious and philosophical interpretations, both Western and non-Western. The result is informative and entertaining, a description and analysis that allows readers to get a feeling, understanding, and even experience of the spirit of Capoeira and Candomblé.

More information, reviews, and preview on Amazon

Capoeira: A Martial Art and a Cultural Tradition
by Jane Atwood

Note: This one’s for the kids! Why should us adult capoeiristas have all the fun? Caveat: another so-so review.

Description (from School Library Journal):

Capoeira book for kidsGrade 5-8 | Few Americans have heard of capoeira, though it is rising in popularity and will be featured at the 2004 Olympic Games [sic?]. Atwood offers an enthusiastic if flawed presentation to fill in the information gap. The full-color photographs are energetic, showing players of both genders, a variety of ethnic backgrounds, and a broad range of ages. The format is colorful and vibrant but it is sometimes confusing. Several pictures at the tops of the pages have captions buried under paragraphs of type. Sidebars are set off only by a change of background color that varies randomly from page to page; therefore, children are likely to continue reading the mainstream text directly into a side topic and wonder what happened.

The author does a thorough job of explaining capoeira’s background; this same thoroughness in introducing the sport’s unique vocabulary leads to frustration. So many foreign terms are presented that not even the glossary is of use in keeping them straight. Despite its shortcomings, this book would be a better purchase than yet another karate or judo title. (-Laura Santoro, Coventry Library, Cleveland Heights, OH)

More information and reviews on Amazon

Fighting on the Beaches: A Year of Capoeira in Brazil
by Neil Gleadall

Description:

A Year of Capoeira in BrazilMany people have dreams but few have the guts to follow them. This is the story of a young Englishman whose passion for Capoeira took him on an incredible journey from the sedate surroundings of the English Home Counties to the heart of Rio de Janeiro’s toughest shanty towns. This book is a must for anyone who wants to study Capoeira in Brazil, and any martial arts student will admire Gleadall’s dedication to Capoeira – his enthusiasm fizzes off every paragraph. His tenacity in the face of a brutal training regime, injuries and the gun violence of the Favelas is a lesson in focus for any aspiring martial artist. And the book has an appeal far beyond the world of martial arts. It is also a wake up call to anyone who has a passion and is afraid to take the leap of faith to pursue it. Above all this tale is a testament to the power of following your heart.

More information at Amazon

Capoeira: A Tale of Martial Arts Mastery, Mysticism, and Love
by Khafra K. Om-Ra-Seti

Note: I saved the best for last! This is supposed to be a novel about capoeira, and though I don’t know about the story/plotline itself, based on some of the reviews and a brief excerpt I read…pick this one up when you get tired of laughing at lines from Only the Strong. 😛

Description:

Mystery, drama, and adventure, capoeira-style In his first novel, Khafra Om-Ra-Seti flows with the spirit of ancient African wisdom and martial arts mastership. This book brings together many of his beliefs and visions regarding the search for a true meaning in life. The saga of the Dogon family, and the ancient beauty and spirit of Capoeira, moves the reader into the realms of msyticism, power and deceit, love and hate, freedom and redemption, and the burning passion to reach the highest level of self-mastery in one’s lifetime.

Ptah, a versatile and highly confident martial artist, has been the welterweight champion of his division for the past five years. His prowess in the ring is near legendary and he is popularly known as Ptah the Wizard. As a member of the Dogon clan, Ptah’s family has been instrumental in establishing the multi-million dollar earnings for fighters that truly proved themselves in the arena.

But lying just below the competitive struggles in the arena is a universal struggle of good vs. evil, of revenge and deception, of mysticism and history, and of the ultimate test to achieve mastership in one’s life. Ptah’s confrontation with the ancient beauty and brilliance of Capoeira is the ultimate test to discover the true master in himself.

More information and reviews on Amazon
Excerpt found on this page





New Book! Capoeira Beyond Brazil

19 02 2008

Now this one, I’m looking forward to!  Another winning combination for me: capoeira and poli sci/international relations.  😀  This book also seems like it’ll be particularly relevant to all us gringas (that’s not a derogatory term, is it?) who do capoeira.  It comes out October 2008—people do presents for Hallowe’en, right?

From North Atlantic / Blue Snake Books:

Capoeira Beyond Brazil, by Aniefre EssienUntil recently, Brazilians dominated the market on capoeira books, yet the form has spread across the globe over the last four decades. This expansion from the favelas (slums) to the world stage has introduced a host of new capoeira practitioners with varied lineages, techniques, and traditions. In Capoeira Beyond Brazil, Aniefre Essien brings an international, political perspective to capoeira, speaking to both the novice and aficionado, as well as to historians, martial artists, social justice organizers, and youth development professionals.

Essien shows capoeira in its complete historical context, providing not only technical instruction but a critical history that highlights the political milestones of the form. Author Essien doesn’t shy away from the realities of the capoeira community, directly illustrating principles that should be embraced, as well as established norms in practice and instruction worth questioning.

Capoeira Beyond Brazil expands the meaning of capoeira with a sociocultural consideration of the effects internalization has had on the form. Showcasing Essien’s own experiences using capoeira training at-risk youth, the book articulates the form’s empowering aspects with strategies for using martial arts to foster individual self-reliance and confidence, as well as a commitment to community development.

Author Biography:

Aniefre Essien, aka Tartaruga, started teaching capoeira to at-risk youth in Oakland, California, in 1988. Since then he has studied with Mestres Russo, Ralil, and João Pequeño. A three-time gold medal winner at the Copa des Americas, and the editor of Mestre Preguiça’s book Capoeira: The Art of Survival, he lives in Oakland, CA.





A Thousand Words: Writing and Talking About Capoeira

9 01 2008

Words about capoeira are like shadows of the real thing 

Do you remember the first time you read something substantial about capoeira? What about the first time you went all out talking shop with a fellow capoeirista, or your first in-depth capoeira discussion?

The first capoeira book I read was Nestor Capoeira’s Capoeira: Roots of the Dance-Fight-Game. It was the first time I’d read anything substantial written about capoeira, and it was revelational. Imagine a girl, curled up on a chair at the kitchen table, completely still except for the spellbound page-turning of Chapter 1, eyes word by word razing lines to the ground, thinking: “Nestor Capoeira can read my mind.

Fast-forward six months or a year or so.  By now, I’m more or less constantly talking with my capoeira friends outside of class.  Of course, what else do we talk about but capoeira?  We talk about everything, from technique, to music, to trends, to dynamics, to politics, to changes, to likes and dislikes, to hearsay, to problems, to advice, to complaints, to aspirations, to the past, present, and future.  (Whoa.  And not just about capoeira anymore.  Honestly, what would I do without these guys?)

The thing was, especially and mostly at the beginning, I found that while sharing all the thoughts and ideas I’d accumulated about capoeira and class and related matters since having started was fun and gratifying—moreover to people who related!—it also somehow felt a bit…hollow.  Like nothing quite came out the way I wanted it to, no matter how many times I reworded or amended my comments.  Like I knew exactly what I was talking about before saying it, and after it came out, sounded nothing like I’d thought it would.  Like while everything remained percolating in my mind, it was clear, and pure, and…well, for lack of a better word, sacred; and after I articulated my thoughts, or tried to, it lost all of that.  It became cheapened, and trite, merely strings of words thrown to the wind, mental glass structures processed into verbal sand.

To put it simply, talking so earnestly about capoeira, at times, seemed to take away the magic from just doing and thinking about capoeira.  It was the reverse of reading Nestor Capoeira’s book for the first time. 

I believed the same would apply to writing about capoeira, as well.  Before the idea for Mandingueira came up, I never for one second considered writing a blog about capoeira.  It would be too much, I thought, too much writing, and talking, and spelling out, and deconstruction and breaking down of something I felt was best experienced holistically.  Wanting to describe or discuss any part of capoeira, whether in speech or in writing, is like wanting to paint a stunning, breathtaking, fiery sunset.  The subject is so beautiful and awe-inspiring that you feel compelled to capture it, to retain its essence, yet you know you never can, and thus don’t want to because even your best efforts will not do it justice—but still want to.

So despite the challenge, many people continue to pick up a paintbrush, ready to capture the sun.  Perhaps the most beautiful thing about it is that no matter how many people try, fail, or succeed, it remains ever burning just as bright, an irrisitible source of inspiration for all those who stop and gaze.

Picture source: http://www.cs.helsinki.fi/u/ruuhonen/capoeira.jpg